Thursday, May 3, 2018

Final Evaluation

Final Evaluation.

My preparatory shoots helped point me in the direction that I really wanted my photography to go, I'm glad we did them otherwise I wouldn't have liked the outcome that I had for this exam as it is always a trial and error basis with creative subjects. 

My research on Lisa Milroy and my research from my preparatory shoots have influenced my final series by helping me discover what works for my style of photography on the subject of framing devices. Trying to recreate other artists work such as Saul Leiter, helped me to realise what I wanted to do within the exam, and what I could realistically do and how I could realistically make my photos look good using both digital and physical editing. I feel like I have learnt that you do not always need to use a tripod, even though i am quite shakey, for me using my own two hands helps give my photographs character and gives it a personal touch. I was really inspired by Aitkens work and I'm glad I got to try putting multiple pictures that connect together like his. All of my photographs are taken from my own height giving it a more realistic feel instead of being head on to the subject, it can make the audience more immersed in my photos as it would be what they could see from real life. 

I think I was quite successful in responding to the exam, I think all of my pictures are very good and I'm especially happy with my collage of natural frames. The things I would like to improve on is understanding camera settings and which settings work well with others and editing my pictures properly, eg contrast, toning etc. because then I can make my images look even better.

Final Images















Work Record 1

Artist research
Lisa Milroy is an Anglo-Canadian artist born on 16th January 1959 in Vancouver. Milroy is most known for her still life paintings of objects placed in patterns. She started doing sky painting in the 1990s, drawing the horizon line very close to the bottom of the canvas. One example of this is her print “sky” which depicts a field lined with trees, and then a clear blue sky with few clouds, this is printed by lithograph on a vertical 54.7 x 42 cm canvas

When you view “Sky” you get a sense of calmness from the print, mostly because the colour blue gives out a calm emotion to the viewer but also because there are only three layers to it, the fields in the foreground, the trees in the background and the sky backdrop. The sky portion is the largest portion of the print. As your eyes scan upwards you can see she framed the picture perfectly with mostly negative space. The sky is filled with some cirrostratus clouds that run diagonally across the page which add some depth to the negative sky area. Milroy's work relates to my exam topic of "framing devices" as the three portions of the picture frame each other put most importantly the bottom of the picture frames the sky, sort of like a polaroid pictures border.

In my preparatory shoots, I worked with buildings and reflections a lot which helped show how i could use them for the exam, it also helped me realise what looked good and what didn't within photographs using framing devices, for example, I didn't like doing reflections. These shoots also helped me to understand what I was really influenced by.

In response to the exam, I intend to take pictures of the sky using unnatural borders such as houses, roads etc. With these pictures, I may use physical or digital manipulation to improve my work. In this exam, I would like to try to create a photo that makes use of multiple photos stacking them to make one photo.

Contact Sheet


My idea for my shoot 2 framing devices was to photograph houses, telephone poles and other unnatural things/objects to frame the environment around me, mostly the sky, similar to Lisa Milroy's paintings of the sky. 


Best images


This is the first of my best images. This is a picture of a telephone pole that has been adapted to hold multiple lines at the same time. I thought this was perfect for framing as it is framing a perfect sky with 3 telephone lines running through it. When I edit this I may edit all of the likes out unless they're in the frame or i might cut out the middle of the photo.


This is the second of my best images. The image is of the top and side of a house and its garage. the photo frames the bright clear blue sky with the orange bricks and tiles, these colours are complimentary to eachother which make the photo look very aesthetically pleasing. It also has darker and white parts of the photo. When I edit this I don't want to cut out parts because the two parts compliment each other very well.


This is the third of my best images. It is a photo of two silhouetted houses, which look very similar, against the sky, with the sun peeking from behind the cloud with sun rays beaming out from the sun. When I edit this it might be a good idea to cut out the two houses from the photo as it would further frame the sky.


This is the fourth of my best images. It is of a pigeon landing on the chimney of a house with some tree branches coming from the left third or the photo. When I edit this I want to crop it so the pigeon and the tip of the house are in the middle third of the photo. This frames the sky as the sky is the negative space within the photo. 


This is the last of my best images. The picture is of a telephone pole. The picture is mainly cut into two pieces, with the pole cutting through the middle, but with the multiple wires going from the middle of the photo out to the edges there are 4 main parts of the photo. It might be a good idea to change some colours to make the photo more interesting for the final piece.

The negative blue space within my work has connotations to peacefulness and tranquillity as there are large amounts of it in my work. This also links to Milroys work as she also has vast spaces of blue skies in her paintings. 

Images to be improved

I chose these two photos as photos I could improve on as they both don't convey the message of framing as well as my other photos. The first photo used the settings aperture f9, shutter speed 1/125, and an ISO of 100. The second photo used the settings aperture f11, shutter speed 1/320 and an ISO of 100. The first photo could be framing because of the window but I wanted to frame the environment around me and it would only work if there was a reflection of the sky within the window. The second photo is too zoomed out to count as framing like the other photos, I could crop it but then the photo may be too small to present.

I used a cannon EOS M body for all of my shots that I took. I didn't use a tripod as I was planning to because I thought I could get a more natural shot by just holding my camera, though maybe it would've been better to use a tripod. I had my camera on a "landscape" setting to get a wide depth of field and get the right settings. My settings ranged from ISO 100, aperture f5.6 to f18 and a shutter speed between 1/100 and 1/640.

Digital Manipulation


For all of my pictures, I first started out by editing them in the RAW editor within photoshop. I then sharpened some of these images using the unsharp mask within photoshop. I also then straightened and cropped some of the images.


I tried experimenting with replacing colours in these photos but I don't think it worked well, so I didn't add it to the finished pieces. I also tried experimenting with deleting parts of the pictures. 


Physical manipulation


















For physical manipulation, I wanted to cut parts of the photo out, either the frame or the thing framing the sky.


At first, I tried cutting out the entire thing but I felt like that didn't quite work so well, so I decided to cut it on all sides but one and then have it open like a door.


My artist research was helpful as it helped me to understand the importance of negative space in framing photographs. It also helped to research the different ways to physically alter my images to experiment with different things within physical editing.

Monday, April 30, 2018

Work record 2

Artist research
Lisa Milroy is an Anglo-Canadian artist born on 16th January 1959 in Vancouver. Milroy is most known for her still life paintings of objects placed in patterns. She started doing sky painting in the 1990s, drawing the horizon line very close to the bottom of the canvas. One example of this is her print “sky” which depicts a field lined with trees, and then a clear blue sky with few clouds, this is printed by lithograph on a vertical 54.7 x 42 cm canvas

When you view “Sky” you get a sense of calmness from the print, mostly because the colour blue gives out a calm emotion to the viewer but also because there are only three layers to it, the fields in the foreground, the trees in the background and the sky backdrop. The sky portion is the largest portion of the print. As your eyes scan upwards you can see she framed the picture perfectly with mostly negative space. The sky is filled with some cirrostratus clouds that run diagonally across the page which add some depth to the negative sky area. Milroy's work relates to my exam topic of "framing devices" as the three portions of the picture frame each other put most importantly the bottom of the picture frames the sky, sort of like a polaroid pictures border.

In my preparatory shoots, I worked with trees a lot which helped show how i could use them for the exam, it also helped me realise what looked good and what didn't within photographs using framing devices. These shoots also helped me to understand what I was really influenced by.

In response to the exam, I intend to take pictures of the sky using natural borders such as trees, fields etc. With these pictures, I may use physical or digital manipulation to improve my work. In this exam, I would like to try to create a photo like Doug Aitken where he made one picture out of 4 different pictures.

Contact Sheet


My idea for my shoot 2 framing devices was to photograph trees, bushes and other natural things/objects to frame the environment around me, mostly the sky, similar to Lisa Milroy's paintings of the sky. 


Best images

This is the first of my best images. If you take away the leaves there are around 15 clear frames, when you add in the leaves the frames get more intricate than before. I chose this picture as it does not only frame the sky but it frames the sun as well when the sun shines through the leaves.  The branches are silhouetted against the light sky with the leaves in a midpoint of the photo giving a nice transition between the different shades of the photo. The sun has a little bit of lens flare which adds character and a sense of happiness to my photo.


This is the second of my best images. The photo has a tree line silhouetted against an almost clear sky, the portion of the sky you can see has clouds lining the top and the bottom of it which frames the sky. You can see sunbeams radiating out from the top of the photo where the sun was located. I chose this photo because half of it was dark and the other light which was a good contrast and I thought it would work really well with other photos similar.


This is the third of my best images.  It is a silhouette of a street lamp against the sky. The sky has two large dark clouds with light outlines that are meeting in the middle of the photo. In the centre third of the phot,o the lamp points upwards towards the sun that is trying to shine through the clouds. I wanted to keep this series of photos about photographing natural frames so I will crop the photo to get rid of the lamp.


This is the fourth of my best images.  it is taken through trees with the main tree going diagonally through the photo. The close trees are darker, silhouetted against the bright blue sky. The trees frame the sky and clouds by twisting together in nearly every part of the photo but the top left corner. This photo would work well with the other pictures of the trees. 


This is the fifth of my best images.  The photo frames the sky in a "U" shape using the trees of different colours with but with no silhouettes like many of the other photos since this is a more bright photo with a clearer sky. I think this photo would work well with the other photos as it would be a good contrast between the darker and brighter photos. 


This is the sixth of my best images.  The photo is in two main parts cutting diagonally across the photo, separated by the main tree branch. One part filled with twisting branches and the other filled with a clear blue sky. This photo would work well with the other photo and could link well with my fourth best photo as two halves of the same tree, in a brighter and darker sense. 

This is the last of my best images.  In my opinion, this is the photo that resembles Lisa Milroy's photo the most as it is 90% sky like hers. with only a little bit of the trees poking up through the piece as silhouettes. The picture is in two parts, the trees and the very light sky with the sun poking out from behind the cloud with sunbeams shining through the photo. This would also work well with other pictures and is the last piece to my collage.

Images to be improved

I chose these two photos as photos I could improve on as they are both slightly out of focus. I feel like the first photo is too dark while the second photo is too light. They also don't do a very good job at showing a clear frame around the environment as there is too much going on and since it is nature the colours are too close to each other making it all merge into the same thing.  The first photo used the settings aperture f5.6 which does not give a very wide depth of field, shutter speed 1/50 which makes the photo too dark and an ISO of 125. The second photo used the settings aperture f5.6 which does not give a very wide depth of field, shutter speed 1/50 which makes the photo too dark and an ISO of 100.
The negative blue space within my work has connotations to peacefulness and tranquillity as there are large amounts of it in my work. This also links to Milroys work as she also has vast spaces of blue skies in her paintings. 

I used a cannon EOS M body for all of my shots that I took. I didn't use a tripod as I was planning to because I thought I could get a more natural shot by just holding my camera, though maybe it would've been better to use a tripod. I had my camera on a "landscape" setting to get a wide depth of field and get the right settings. My settings ranged from ISO 100, aperture f5.6 to f18 and a shutter speed between 1/100 and 1/640.

Digital Manipulation




For all of my pictures I first started out by making the photo sharper if it wasn't sharp enough, to do this I used an unsharp mask and/or shake reduction. After this, I used the curves tool to correct the contrast and brightness of my images so they would work better together, and look more aesthetically pleasing without any harsh differences. 


I decided that it might be worthwhile to experiment with some different colours for the sky in the pictures. I used replace colour to replace the blue in the sky with other colours, there weren't many colours that worked properly so I only had limited options.


I edited the other RAW images using photoshop.

Physical manipulation

For physical manipulation, I used 5 different photos that I edited and made them into one, similar to Aitken. At first I wanted to do the four pictures like he did but I found out that the way I had done it would result in a pentagon rather than a square, this caused some problems as originally I had only prepared to use 4 of the photos but I worked with it and edited and added on a fifth which completed the collage of photos. To make this collage I cut equilateral triangles from the middle of my photo, the tip of the triangle being at the bottom of the picture and the two other corners in the top left and right corner of the photo. I then stuck all of these triangles together to get my pentagon shape.




I then mounted my final piece.


















My artist research was helpful as it helped me to understand the importance of negative space in framing photographs. It also helped to research the different ways to physically alter my images like Aitken did, when he made multiple photos into one.


Finished Edits